Irish Waterford Crystal 9 inch Vase. Stunning large Irish made Waterford Crystal Vase. Late 20th…
Mid Century Irish Waterford Crystal Layered Chandelier.
Gorgeous Mid-Century Period …… circa 1960……Irish Waterford Crystal layered chandelier.
Made in Ireland.
The Chandelier has 4 layers:-
All fully marked…..STUNNING piece to grace any home of quality !!
Due to the fact that the original Waterford Crystal Factory in Waterford City, Ireland closed in 2009…………GENUINE IRISH MADE WATERFORD CRYSTAL is a MUST HAVE for collectors !!
ALL OF OUR IRISH CRYSTAL IS 100% IRISH MADE !!
CHANDELIER: A chandelier /ˌʃæn.dəlˈɪər/ is a decorative ceiling-mounted light fixture. Chandeliers are often ornate, and normally use lamps. Crystal chandeliers have more or less complex arrays of crystal prisms to illuminate a room with refracted light. Chandeliers are often located in hallways, living room and recently in bathrooms.
he earliest candle chandeliers were used by the wealthy in medieval times, this type of chandelier could be moved to different rooms. From the 15th century, more complex forms of chandeliers, based on ring or crown designs, became popular decorative features in palaces and homes of nobility, clergy and merchants. Its high cost made the chandelier a symbol of luxury and status.
By the early 18th century, ornate cast ormolu forms with long, curved arms and many candles were in the homes of many in the growing merchant class. Neoclassical motifs became an increasingly common element, mostly in cast metals but also in carved and gilded wood. Chandeliers made in this style also drew heavily on the aesthetic of ancient Greece and Rome, incorporating clean lines, classical proportions and mythological creatures. Developments in glassmaking later allowed cheaper production of lead crystal, the light scattering properties of which quickly made it a popular addition to the form, leading to the crystal chandelier.
During the 18th century glass chandeliers were produced by Bohemiens and Venetian glassmakers who were both masters in the art of making chandeliers. Bohemian style was largely successful across Europe and its biggest draw was the chance to obtain spectacular light refraction due to facets and bevels of crystal prisms. As a reaction to this new taste Italian glass factories in Murano created new kinds of artistic light sources. Since Murano glass was not suitable for faceting, typical work realized at the time in other countries where crystal was used, venetian glassmakers relied upon the unique qualities of their glass. Typical features of a Murano chandelier are the intricate arabeques of leaves, flowers and fruits that would be enriched by colored glass, made possible by the specific type of glass used in Murano. This glass they worked with was so unique, as it was soda glass (famed for its extraordinary lightness) and was a complete contrast to all different types of glass produced in the world at that time. An incredible amount of skill and time was required to precisely twist and shape a chandelier. This new type of chandelier was called “ciocca” literally bouquet of flowers, for the characteristic decorations of glazed polychrome flowers. The most sumptuous of them consisted of a metal frame covered with small elements in blown glass, transparent or colored, with decorations of flowers, fruits and leaves, while simpler model had arms made with a unique piece of glass. Their shape was inspired by an original architectural concept: the space on the inside is left almost empty since decorations are spread all around the central support, distanced from it by the length of the arms. One of the common use of the huge Murano Chandeliers was the interior lighting of theatres and rooms in important palaces.
In the mid-19th century, as gas lighting caught on, branched ceiling fixtures called gasoliers (a portmanteau of gas and chandelier) were produced, and many candle chandeliers were converted. By the 1890s, with the appearance of electric light, some chandeliers used both gas and electricity. As distribution of electricity widened, and supplies became dependable, electric-only chandeliers became standard. Another portmanteau word, electrolier, was formed for these, but nowadays they are most commonly called chandeliers. Some are fitted with bulbs shaped to imitate candle flames, for example those shown below in Epsom and Chatsworth, or with bulbs containing a shimmering gas discharge.
The world’s largest Bohemian crystal chandelier, a gift from Queen Victoria, is located in the Dolmabahçe Palace in Istanbul. It has 750 lamps and weighs 4.5 tons. Dolmabahçe has the largest collection of Bohemian and Baccarat crystal chandeliers in the world, and one of the great staircases has balusters of Baccarat crystal.
More complex and elaborate chandeliers continued to be developed throughout the 18th and 19th centuries, but the widespread introduction of gas and electricity had devalued the chandelier’s appeal as a status symbol.
Toward the end of the 20th century, chandeliers were often used as decorative focal points for rooms, and often did not illuminate.
WATERFORD: Waterford Crystal is a manufacturer of crystal. It is named after the city of Waterford, Ireland. Waterford Crystal is owned by WWRD Group Holdings Ltd., a luxury goods group which also owns and operates the Wedgwood and Royal Doulton brands. WWRD was acquired 2 July 2015 by the Fiskars Corporation.
In January 2009 its Waterford base was closed down due to the bankruptcy of the Wedgwood Group. After several difficulties and takeovers, it re-emerged later that year. In June 2010, Waterford Crystal relocated almost back to its original roots, on The Mall in Waterford City. This new location is now home to a manufacturing facility that melts over 750 tons of crystal a year. This new facility offers visitors the opportunity to take guided tours of the factory and also offers a retail store, showcasing the world’s largest collection of Waterford Crystal.
The origins of the crystal production in Waterford dates back to 1783 when George and William Penrose started their business. It produced extremely fine flint glass that became world-renowned. However, their company closed in 1851.
In 1947, Czech immigrant Charles Bacik, grandfather of Irish senator Ivana Bacik, established a glass works in the city. Skilled crystal workers were not available in Ireland so continental Europeans were used. Aided by fellow countryman and designer Miroslav Havel, the company started operations in a depressed Ireland. By the early 1950s it had been taken over as a subsidiary of the Irish Glass Bottle company, owned by Joseph McGrath, Richard Duggan and Spencer Freeman of the Irish Hospitals’ Sweepstake, heavy investors in Irish business at that time.
In 1970 John Aynsley and Sons was taken over by Waterford and renamed Aynsley China Ltd.
Jasper Conran began designing his signature range of crystal for Waterford in 1999. The endeavour has evolved into four unique lines for Waterford and a complementary tableware collection in fine bone china for Wedgwood in 2001. The Chinese fashion designer John Rocha started designing a range of cut crystal stemware and vases in collaboration with glass designer Marcus Notley in 2001.
Due to rising competition Waterford Wedgwood announced the closure of its factory in Dungarvan in May 2005, in order to consolidate all operations into the main factory in Kilbarry, Waterford City, where 1,000 people were employed by the company. The move resulted in nearly 500 Dungarvan workers losing their jobs.
Waterford Crystal Limited was, until March 2009, a subsidiary of Waterford Wedgwood plc, itself formed through the acquisition by the then Waterford Glass Group of the famous pottery manufacturer Josiah Wedgwood in 1986. The last chairman was Tony O’Reilly, and the CEO John Foley. The leading shareholders of the holding company were former billionaire O’Reilly and his family, joined in the last decade by O’Reilly’s brother-in-law, Greek shipping heir Peter Goulandris. Waterford Wedgwood was forced into receivership in early 2009. On 5 January 2009, news of the receivership of Waterford Wedgwood Ltd. was announced in Ireland and the UK.
On 30 January 2009 it was announced that the Waterford Crystal plant in Kilbarry was to shut down immediately, despite earlier promises to discuss any such move with the unions in advance. The Kilbarry operation featured a tourist centre offering guided tours of the factory, a gift shop, café, and gallery. Many of the employees performed an unofficial sit-in The sit-in made the BBC News, hoping to prevail upon receiver Deloitte to retain those jobs. On 4 February 2009, there were protests across the city at how the workers were being treated. On 27 February 2009, the receiver, David Carson of Deloitte, confirmed US equity firm KPS Capital were to purchase certain overseas assets and businesses of the Waterford Wedgwood Group. The sit in ended in March, 2009 after workers agreed to split a payment of €10m. The fight by the workers to keep the factory open is chronicled in a PBS online documentary.
Under the receivership managed by Deloitte, ownership of most of Waterford Wedgwood plc’s assets was transferred to KPS Capital Partners in March 2009. Waterford Crystal, along with Wedgwood, Royal Doulton, and other brands, were transferred to the new company WWRD Holdings Ltd. The sale did not include the factory or visitor centre in Kilbary, Ireland. The visitor centre shut its doors on 22 January 2010. A new visitor and manufacturing facility opened in June 2010.
On 11 May 2015 in a deal expected to close July 2015, the Fiskars Corporation, a Finnish maker of home products, agreed to buy 100% of the holdings of WWRD. On 2 July 2015 the acquisition of WWRD by Fiskars Corporation was completed including brands Waterford, Wedgwood, Royal Doulton, Royal Albert and Rogaška. The acquisition was approved by the US antitrust authorities.
Mid Century Irish Waterford Crystal Layered Chandelier.
If this Chandelier were in MINT condition it would be worth well in excess of $10,000. Because it is missing some pieces (1 Baguette and 7 teardrops) we have dramatically reduced the price !! The missing pieces are relatively easy to replace …………… and if we replace them …… the price will jump significantly !!!
Take Note ………. this is your chance !!!
Provenance: Bought at Auction in Ireland.
Dimensions: 16″ Long x 16″ Wide