PRESENTING a FABULOUS Original Art Deco Fortune Cover January 1936. The cover of Fortune Magazine…
Art Deco Fortune Magazine Cover February 1936
PRESENTING a FABULOUS Original Art Deco Fortune Magazine Cover February 1936.
The cover of Fortune Magazine for February 1936, framed and matted.
This is an ORIGINAL COVER, not a re-print or copy. It is the cover of an actual 1936 Fortune Magazine and we can 100% certify it’s authenticity. We have attached a COA on the back of the frame.
The frame is modern. It is a faux distressed wood white poster frame with acid free navy blue beveled matting. Perspex front. The frame and matting are perfect for the style of the era.
The cover print is an Art Deco depiction of the Planetarium Projector (Zeiss Projector) in Palm Beach, Florida …. Skyline Astronomy in CLASSIC ART DECO STYLE !
The cover is in near mint condition as can be seen from the photos.
This is one of the more iconic covers of Fortune !
Pained by ‘John A. Cook’ as noted and signed on the bottom left.
The first modern planetarium projectors were designed and built in 1924 by the Zeiss Works of Jena, Germany in 1924. Zeiss projectors are designed to sit in the middle of a dark, dome-covered room and project an accurate image of the stars and other astronomical objects on the dome. They are generally large, complicated, and imposing machines.
The first Zeiss Mark I projector (the first planetarium projector in the world) was installed in the Deutsches Museum in Munich in August, 1923. It possessed a distinctive appearance, with a single sphere of projection lenses supported above a large, angled “planet cage”. Marks II through VI were similar in appearance, using two spheres of star projectors separated along a central axis that contained projectors for the planets. Beginning with Mark VII, the central axis was eliminated and the two spheres were merged into a single, egg-shaped projection unit.
The Mark I was created in 1923–1924 and was the world’s first modern planetarium projector. The Mark II was developed during the 1930s by Carl Zeiss AG in Jena. Following WWII division of Germany and the founding of Carl Zeiss (West Germany) in Oberkochen (while the original Jena plant was located in East Germany), each factory developed its own line of projectors..
Marks III – VI were developed in Oberkochen (West Germany) from 1957–1989. Meanwhile, the East German facility in Jena developed the ZKP projector line. The Mark VII was developed in 1993 and was the first joint project of the two Zeiss factories following German reunification.
As of 2011, Zeiss currently manufactures three main models of planetarium projectors. The flagship Universarium models continue the “Mark” model designation and use a single “starball” design, where the fixed stars are projected from a single egg-shaped projector, and moving objects such as planets have their own independent projectors or are projected using a full-dome digital projection system. The Starmaster line of projectors are designed for smaller domes than the Universarium, but also use the single starball design. The Skymaster ZKP projectors are designed for the smallest domes and use a “dumbbell” design similar to the Mark II-VI projectors, where two smaller starballs for the northern and southern hemispheres are connected by a truss containing projectors for planets and other moving objects.
Fortune was founded by The Atlantic Monthly Company co-founder Henry Luce in 1929 as “the Ideal Super-Class Magazine”, a “distinguished and de luxe” publication “vividly portraying, interpreting and recording the Industrial Civilization”. Briton Hadden, Luce’s business partner, was not enthusiastic about the idea – which Luce originally thought to title Power – but Luce went forward with it after Hadden’s sudden death on February 27, 1929.
In late October 1929, the Wall Street Crash of 1929 occurred, marking the onset of the Great Depression. In a memo to the Time Inc. board in November 1929, Luce wrote: “We will not be over-optimistic. We will recognize that this business slump may last as long as an entire year.” The publication made its official debut in February 1930. Its editor was Luce, managing editor Parker Lloyd-Smith, and art director Thomas Maitland Cleland. Single copies of the first issue cost US$1 ($15.3 in 2019). An urban legend says that Cleland mocked up the cover of the first issue with the $1 price because no one had yet decided how much to charge; the magazine was printed before anyone realized it, and when people saw it for sale, they thought that the magazine must really have worthwhile content. In fact, there were 30,000 subscribers who had already signed up to receive that initial 184-page issue. By 1937, the number of subscribers had grown to 460,000, and the magazine had turned half million dollars in annual profit.
At a time when business publications were little more than numbers and statistics printed in black and white, Fortune was an oversized 11″×14″, using creamy heavy paper, and art on a cover printed by a special process. Fortune was also noted for its photography, featuring the work of Margaret Bourke-White, Ansel Adams, and others. Walker Evans served as its photography editor from 1945 to 1965.
During the Great Depression, the magazine developed a reputation for its social conscience, for Walker Evans and Margaret Bourke-White‘s color photographs, and for a team of writers including James Agee, Archibald MacLeish, John Kenneth Galbraith, and Alfred Kazin, hired specifically for their writing abilities. The magazine became an important leg of Luce’s media empire; after the successful launch of Time in 1923 and Fortune in 1930, Luce went on to launch Life in 1936 and Sports Illustrated in 1954.
From its launch in 1930 to 1978, Fortune was published monthly. In January 1978, it began publishing biweekly. In October 2009, citing declining advertising revenue and circulation, Fortune began publishing every three weeks. As of 2018, Fortune is published 14 times a year.
Art Deco, sometimes referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. Art Deco influenced the design of buildings, furniture, jewelry, fashion, cars, movie theatres, trains, ocean liners, and everyday objects such as radios and vacuum cleaners. It took its name, short for Arts Décoratifs, from the Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris in 1925. It combined modern styles with fine craftsmanship and rich materials. During its heyday, Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress.
Art Deco was a pastiche of many different styles, sometimes contradictory, united by a desire to be modern. From its outset, Art Deco was influenced by the bold geometric forms of Cubism and the Vienna Secession; the bright colors of Fauvism and of the Ballets Russes; the updated craftsmanship of the furniture of the eras of Louis Philippe I and Louis XVI; and the exotic styles of China and Japan, India, Persia, ancient Egypt and Maya art. It featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship. The Chrysler Building and other skyscrapers of New York built during the 1920s and 1930s are monuments of the Art Deco style.
In the 1930s, during the Great Depression, Art Deco became more subdued. New materials arrived, including chrome plating, stainless steel, and plastic. A sleeker form of the style, called Streamline Moderne, appeared in the 1930s; it featured curving forms and smooth, polished surfaces. Art Deco is one of the first truly international styles, but its dominance ended with the beginning of World War II and the rise of the strictly functional and unadorned styles of modern architecture and the International Style of architecture that followed.
Art Deco Fortune Magazine Cover February 1936.
Provenance: From a Wealthy Dallas Estate.
Condition: Near Mint.
Dimensions: In Frame: 23.75″ Tall, 19.75″ Wide and 0.75″ Deep