19C Continental Turquoise Glass Box with Miniature of Palace Scene

19C Continental Turquoise Glass Box with Miniature of Palace Scene.

Nice continental ring or pill box…….circa 1820……turquoise blue glass base…..gilt metal mounts……with lovely chasing enclosing the glass box.

Hand-painted miniature Palace Scene on plaque and under glass, in the center of the lid  (possibly Austrian….Vienna). The lid is hinged and has a clasp to open and has 4 buttons on each corner.

Probably purchased on The Grand Tour.

19C Continental Turquoise Glass Box with Miniature of Palace Scene.

THE GRAND TOUR:
The Grand Tour was the traditional trip of Europe undertaken by mainly upper-class European young men of means, or those of more humble origin who could find a sponsor. The custom flourished from about 1660 until the advent of large-scale rail transport in the 1840s, and was associated with a standard itinerary. It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on Continental Europe, and from the second half of the 18th century, by some South and North Americans. The tradition declined with the lapse of neo-classical enthusiasm and after rail and steamship travel made the journeys much easier when Thomas Cook made the “Cook’s Tour” of early mass tourism a byword.

The New York Times in 2008 described the Grand Tour in this way:

Three hundred years ago, wealthy young Englishmen began taking a post-Oxbridge trek through France and Italy in search of art, culture and the roots of Western civilization. With nearly unlimited funds, aristocratic connections and months (or years) to roam, they commissioned paintings, perfected their language skills and mingled with the upper crust of the Continent.
— Gross, Matt., “Lessons From the Frugal Grand Tour.” New York Times 5 September 2008.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. It was commonly undertaken in the company of a Cicerone, a knowledgeable guide or tutor. The Grand Tour had more than superficial cultural importance; as E. P. Thompson stated, “ruling-class control in the 18th century was located primarily in a cultural hegemony, and only secondarily in an expression of economic or physical (military) power.”[1]

In essence the Grand Tour was neither a scholar’s pilgrimage nor a religious one,[2] though a pleasurable stay in Venice and a cautious residence in Rome were essential. Catholic Grand Tourists followed the same routes as Protestant Whigs. Since the 17th century a tour to such places was also considered essential for budding young artists to understand proper painting and sculpture techniques, though the trappings of the Grand Tour— valets and coachmen, perhaps a cook, certainly a “bear-leader” or scholarly guide— were beyond their reach. The advent of popular guides, such as the Richardsons’, did much to popularize such trips, and following the artists themselves, the elite considered travel to such centres as necessary rites of passage. For gentlemen, some works of art were essential to demonstrate the breadth and polish they had received from their tour: in Rome antiquaries like Thomas Jenkins provided access to private collections of antiquities, among which enough proved to be for sale that the English market raised the price of such things, as well as for coins and medals, which formed more portable souvenirs and a respected gentleman’s guide to ancient history. Pompeo Batoni made a career of painting English milordi posed with graceful ease among Roman antiquities. Many continued on to Naples, where they viewed Herculaneum and Pompeii, but few ventured far into southern Italy or Malta, and fewer still to Greece, still under Turkish rule.

Link: https://en.wikipedia.org/wiki/Grand_Tour

A quality item with genuine age.

19C Continental Turquoise Glass Box with Miniature of Palace Scene.

Provenance: Bought at Auction in Ireland

Dimensions: 2.5″ high x 1.70″ wide

Condition: Very Good for its age..

Price NOW: $1,199

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