Mid Century American Pottery Drip Glaze Table Lamp

Mid Century American Pottery Drip Glaze Table Lamp.

Mid Century American Pottery Drip Glaze Table Lamp


PRESENTING a GORGEOUS Mid Century American Pottery Drip Glaze Table Lamp of large proportions.

In a balluster form or shape with tapering spout.

Drip glaze, consisting of green,brown,mustard tones.

Maker unknown but undeniably American.

 

Nice table lamp…………….IMPRESSIVE and IMPOSING!

From circa 1940-60.

The lamp has a single bulbs with a Hubbell Chain switch.

Knob finial.

No shade ……… we have decided to let the new owner pick their own shade. We think a modern Drum Shade would look best.

Fully working condition.

HIGHLY COLLECTIBLE and DECORATIVE PIECE!!

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American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1930. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements. Art pottery was made by some 200 studios and small factories across the country, with especially strong centers of production in Ohio (the Cowan, Lonhuda, Owens, Roseville, Rookwood, and Weller potteries) and Massachusetts (the Dedham, Grueby, Marblehead, and Paul Revere potteries). Most of the potteries were forced out of business by the economic pressures of competition from commercial mass-production companies as well as the advent of World War I followed a decade later by the Great Depression.

The American art pottery movement is a development from a tradition of individual potters making utilitarian earthenware and stoneware vessels for local use that dates back to the Colonial period. It was shaped to differing degrees in different geographical locations by the potters' appreciation for Native American pottery traditions, the Japonism vogue, and modernist aesthetics. Influential figures in American art pottery include Frederick Hurten Rhead, who worked with several different art potteries, and Maria Longworth Nichols, whose Rookwood Pottery produced what is today considered some of the very best American art pottery.[2]

The earliest examples of American art pottery often follow a Victorian aesthetic and feature highly detailed representational subjects such as portraits of Native Americans painted across a muted background. Later types are more likely to feature designs that are graphic, linear, and abstract, in line with the aesthetics of the Arts and Crafts, Art Nouveau, and Art Deco movements. Flowers and animals like Rookwood's eponymous rook remained popular subjects for decorations throughout the period. Some pieces have three-dimensional features, such as designs that are incised into the surface rather than painted on top, or raised elements like slip-trailed patterns or low-relief sculptures.[2][1]

While many of the key figures in the movement founded or were affiliated with specific potteries, a few remained essentially independent throughout their careers. Notable in this group is Adelaïde Alsop Robineau, whose Scarab Vase is considered one of the finest examples of American art pottery.[3]

Many American museums hold collections of American art pottery. Especially large collections are at the Charles Hosmer Morse Museum of American Art, the Cooper-Hewitt Museum and the Cincinnati Art Museum, which has an entire wing dedicated to Rookwood wares.

 

Link: https://en.wikipedia.org/wiki/American_art_pottery


Mid-century modern is a term that describes mid–20th century developments in interior, product, and graphic design, architecture, and urban development from roughly 1933 to 1965. The term, employed as a style descriptor as early as the mid-1950s, was reaffirmed in 1983 by Cara Greenberg in the title of her book, Mid-Century Modern: Furniture of the 1950s (Random House), celebrating the style that is now recognized by scholars and museums worldwide as a significant design movement.

The Mid-Century modern movement in the U.S. was an American reflection of the International and Bauhaus movements, including the works of Gropius, Florence Knoll, Le Corbusier and Ludwig Mies van der Rohe.[1] Though the American component was slightly more organic in form and less formal than the International Style, it is more firmly related to it than any other. Brazilian and Scandinavian architects were very influential at this time, with a style characterized by clean simplicity and integration with nature. Like many of Wright's designs, Mid-Century architecture was frequently employed in residential structures with the goal of bringing modernism into America's post-war suburbs. This style emphasized creating structures with ample windows and open floor plans, with the intention of opening up interior spaces and bringing the outdoors in. Many Mid-century houses utilized then-groundbreaking post and beam architectural design that eliminated bulky support walls in favor of walls seemingly made of glass. Function was as important as form in Mid-Century designs, with an emphasis placed specifically on targeting the needs of the average American family.

In Europe the influence of Le Corbusier and the CIAM resulted in an architectural orthodoxy manifest across most parts of post-war Europe that was ultimately challenged by the radical agendas of the architectural wings of the avant-garde Situationist International, COBRA, as well as Archigram in London. A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by Scandinavian Moderns such as Alvar Aalto, Sigurd Lewerentz and Arne Jacobsen, and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects such as Aldo van Eyck, Ralph Erskine, Denys Lasdun, Jorn Utzon and the movement known in the United Kingdom as New Brutalism.

Pioneering builder and real estate developer Joseph Eichler was instrumental in bringing Mid-Century Modern architecture ("Eichler Homes") to subdivisions in the Los Angeles area and the San Francisco Bay region of California, and select housing developments on the east coast. George Fred Keck, his brother Willam Keck, Henry P. Glass, Ludwig Mies van der Rohe, and Edward Humrich created Mid-Century Modern residences in the Chicago area. Mies van der Rohe's Farnsworth House is extremely difficult to heat or cool, while Keck and Keck were pioneers in the incorporation of passive solar features in their houses to compensate for their large glass windows.

Link: https://en.wikipedia.org/wiki/Mid-century_modern

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Mid Century American Pottery Drip Glaze Table Lamp.

Provenance: From a Texas Dealer's Private Collection.

Dimensions: 26" Tall with a diameter of 7" at its widest.

Condition: Near MINT.

Price: $950.00. Sale Price Now: $525.00