19C French Louis XVI Style Mantel Clock

19C French Louis XVI Style Mantel Clock.



19C French Louis XVI Style Mantel Clock

Lovely Late 19th Century French Mantle Clock with German movement.

Made circa 1880…..Louis XVI Style……beautiful wood case…..walnut case with RARE amboyna wood face.

Ormolu gilt mounts ……… peaking in a tower style with pointed roof with finial.

German Brass movement……Hamburg-Amerikanische Uhrenfabrik (or later to become known as the Hamburg American Clock Company)………works really well…..chimes on half hour and hour……lovely chime.

It has a makers mark on the movement of 2 crossed arrows….Hamburg-Amerikanische Uhrenfabrik (HAU)…..these are their early marks from circa 1874…………………it has a serial number sticker on the inside of the back access door….”No. 3002″. Also written on the inside of the rear door in pen are the initials WH and the number 9737 .

Slight crack on amboyna wood face…..otherwise in good condition.

2 winders….one for time and one for chimes……8 day movement. It has a winding key (not the original).

Nicely decorated porcelain dial.

YOU WILL NEED TO QUICK ON THIS ONE ......SEVERAL BUYERS HAVE EXPRESSED A KEEN INTEREST...............NOT SURPRISINGLY !!

The 2 Brass Garnitures as seen in the photos are not an original match to the Clock and are being sold separately or together depending on your desire !!

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Louis XVI style, also spelled Louis Seize, visual arts produced in France during the reign (1774–93) of Louis XVI, which was actually both a last phase of Rococo and a first phase of Neoclassicism. The predominant style in architecture, painting, sculpture, and the decorative arts was Neoclassicism, a style that had come into its own during the last years of Louis XV’s life, chiefly as a reaction to the excesses of the Rococo but partly through the popularity of the excavations at ancient Herculaneum and Pompeii, in Italy, and partly on the basis of Jean-Jacques Rousseau’s call for “natural” virtue and honest sentiment. One of the most dramatic episodes in the stylistic oscillation from Rococo to Neoclassicism was played out in 1770 at Mme du Barry’s Pavillon de Louveciennes. A series of large painted canvases by the Rococo painter Jean-Honoré Fragonard depicting the “Progress of Love” were removed almost as soon as they were installed and replaced with a series commissioned from Joseph-Marie Vien, a Neoclassicist. Vien’s pupil Jacques-Louis David was the most important painter of the reign of Louis XVI; his severe compositions recalling the style of the earlier painter Nicolas Poussin are documents extolling republican virtues. During the Revolution, David was a deputy and voted for the execution of the King.

The foremost sculptor of the reign of Louis XVI was Jean-Antoine Houdon (1741–1828). He portrayed a number of the most prominent men of his day, often in classical togas. His nude “Diana,” of which there are several versions, attempts to evoke the feeling of the Classical Greek nude.

The lavish court style of Louis and Marie Antoinette, his young queen, gave impetus to the highly skilled ébénistes, or cabinetmakers, of the period. Whereas the general style of furniture was again Neoclassic (i.e., straight, simple lines and classical motifs), the workmanship was as complicated and as finely performed as in any period to date. Jean-Henri Riesener and Bernard van Risenburgh were two of the foremost cabinetmakers, filling commissions for Mme du Barry as well as for the Queen. Many of the ébénistes, including Riesener, were German craftsmen who, nevertheless, contributed to the tradition of French furniture. Other makers of luxury items benefited from the excesses of the court, chief among them the porcelain manufactory at Sèvres.

Link: http://www.britannica.com/art/Louis-XVI-style

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19C French Louis XVI Style Mantel Clock

Provenance: Bought at Auction in Ireland.

Condition: Very good...small crack on wood veneer to the front under the dial, but not very noticeable.

Dimensions: 15.25" Tall, 9" Wide and 4.5" Deep

Price: $1,275.00. Sale Price Now: $1,000.00

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